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Spaightwood Galleries
120 Main Street, Upton MA 01568-6193
Albrecht Durer (Nuremburg, 1471-1528): The Holy Family
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During his career, Durer returned several times to the images of the Holy Family and the Virgin and Child. We here present one depiction of the Holy Family and six depictions of the Virgin and Child, one splendid impression of the first published edition of The Madonna and Child appearing to St John, detail from the titlepage of the 1511 Latin edition of the Apocaliptis cum figuris, two later impressions of Dürer masterpieces, and three copies of his engravings of the Virgin and Child, one by Jan Wierix, the other two by anonymous 16th-century engravers.
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Holy Family with the three hares (Bartsch 106, Strauss 36, Meder 312h/i). Original woodcut, c. 1496. One of Dürer's earliest major prints, this work was one of the first to reveal his genius. The three rabbits add a playful touch to this scene of domesticity. Ours is an impression printed c. 1580 of a work that has been praised by Wolfflin as "radiant" in its revelation of "the abundance of life." A clear impression that is stil printing quite well. Image size: 392x280mm. Price: $7500.
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The Madonna with the Monkey (Bartsch 42, Strauss 21, Meder 30). Original engraving, c. 1498. A very late impression of a very early and beautiful engraving, only his second engraved portrayal of the Madonna and Child and his first not to include St. Joseph as well. There exist 14 copies of this work, suggesting its popularity in the Renaissance as does the number of impressions taken from Dürer's copper plate. Wöfflin and Tietze pointed to the influence of Leonardo and / or Verrocchio; Panofsky reminds us that the lost preparatory drawing of the monkey was also used for the painting of Christ and the Doctors. Panofsky also suggests that the monkey was a symbol of lewdness, greed, and gluttony, and that it was frequently associated with Eve; here the monkey is chained up and cannot do any harm. Finally, Panofsky praises the work in comparison with the earlier portrayal of the Madonna and Child: "this engraving marks a great advance in the realzation of space, volume, and texture. The figures detach themselves more clearly from the background" (in Strauss, Engravings, p. 70). There is a small black dot in the clouds top center caused by a hole in the plate. Image size: 188x122mm. Price: SOLD.
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Apocaliptis cum figuris / The Apocalypse with illustrations (Bartsch 60, Strauss 158, Meder 163). Original woodcut, 1511. Original woodcut for the 1511 Latin edition of The Apocalypse, the first to contain this woodcut of St. John's Mystical Vision of the Virgin and Child. Sheet trimmed just outside the text on the verso. One of Durer's masterpieces, here in a superb impression of the first priting of the woodcut. Image size: 361x228mm. Price: SOLD.
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The Madonna and Child appearing to St John, detail from the titlepage of the 1511 Latin edition of the Apocaliptis cum figuris / The Apocalypse with illustrations (Bartsch 60, Strauss 158, Meder 163). Original woodcut, 1511. Original woodcut for the 1511 Latin edition of The Apocalypse, the first to contain this woodcut of St. John's Mystical Vision of the Virgin and Child. Sheet trimmed just outside the text on the verso. One of Durer's masterpieces, here in a superb impression of the first priting of this woodcut. Image size: 361x228mm. Price: SOLD.
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Madonna Nursing (Bartsch 36 copy 4, Strauss 91-reversed). Reverse copy of Durer's c. 1518 engraving. A very good 16th-century impression on laid paper of this work which is based upon one of Durer's late masterpieces. Heller notes that the work was copied by Wierix and 6 other engravers. Trimmed within the platemark. The engraver's initals MD are printed on the right corner of the stone with Durer's monogram. size: 113x72mm. Price: $1600.
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Madonna Crowned by Two Angels (Bartsch 39, Strauss 87, Meder 19). Reverse copy of Durer's c. 1518 engraving. Good impression trimmed inside the platemark. From the existence of copies by Jacob Binck (c. 1500-1569), Jan Wierix, and 13 others, we may assume that this was one of Durer's most popular prints. Durer's original has been praised as "the prettiest and most elegant of Durer's Madonnas" (Kohler) and as having "a Raphaelesque equilibrium of loveliness & serenity" (Panofsky). Image size: 141x90mm. Price: $1400.
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Madonna with the Swaddled Infant (Bartsch 38, Strauss 94, Meder 40). Meder says that early impressions are brownish; ours is gray, but still sharp. Ex collection Julian Manheimer (Lugt supp. 1840d, verso). Talbot notes, "There is a strange intensity to Durer's late Madonnas which makes them deeply moving but devoid of all charm" and adds "This rendition is colossal. There is barely enough room for the Madonna's halo to fit within the picture space. The term "sculptural," when applied to this print is less of a metaphor than it was previously. There is a perceptible "stoniness" to this print, as Panofsky observes, to the figure group amd an abstract geometrical rigidity to the drapery folds. The modelling, though handled with supreme virtuosity, lacks all decorative effect . . . one no longer experiences a sense of delight in following the schemes of hatchings aaround the contours of the figures." Talbot goes on to cite Panofsky's argument that this is a consequence to Dürer's conversion to the Lutheran faith with its emphasis on "the Apostles, the Evangelists, and the Passion of Christ" with the consequence of a stylistic change to a "forbidding, yet strangely impassioned austerity"; see Charles W. Talbot, ed. Durer in America: His Graphic Work (National Gallery of Art, 1971), p. 154. Image size: 143x96mm. Price: $7500.
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Madonna with the Swaddled Infant (Bartsch 38, Strauss 94, Meder 40). Reverse copy of Durer's 1520 engraving executed by Jan Wierix (Antwerp, 1549-1618) c. 1563 (Maquoy-Hendrixx 1705). Heller notes the existence of twelve other copies. A beautiful impression on laid paper of one of Wierix' most successful recreations of a Durer masterpiece. The Wierix brothers were the most proficient engravers in Antwerp in the later 16th century. They chose to make engravings after Durer's masterpieces to prove their technical skills. Image size: 143x100mm. Price: $2500.
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Spaightwood Galleries, Inc.
To purchase, call us at 1-800-809-3343 (508-529-2511 in Upton MA & vicinity) or send an email to sptwd@verizon.net. We accept AmericanExpress, DiscoverCard, MasterCard, and Visa.
For directions and visiting information, please call. We are, of course, always available over the web and by telephone (see above for contact information). Click the following for links to past shows and artists. For a visual tour of the gallery, please click here. For information about Andy Weiner and Sonja Hansard-Weiner, please click here. For a list of special offers currently available, see Specials.
Visiting hours: Saturday and Sunday noon to 6 pm and other times by arrangement. Please call to confirm your visit. Browsers and guests are welcome.
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