Chair (Engberg & Banach 108, Belknap 79) Original color lithograph, 1972, printed from three stones and one aluminum plate. 300 signed & numbered impressions as a subscription offering for the artists and citizens of Dusseldorf by the Kunstverein für die Rheinlande und Westfalen (ours is 106/300) on Rives BFK paper. The polygon at the top is actually a bit more orange (see the photo below and a bit more intense than our illustration, but it may be that there is a certain amount of variation in the edition: the photo to the left is closer to that in Engberg & Banach's illustration; the photo below is closer to Belknap's. In either case, the backgound of this one is a bit too strong; the one below better captures the pale yellow background. Finally, we note the following reproductive failures on our part: the wide horizontal areas (the chair frame itself) and the central medallion are olive and the circle in the central medallion in both prints are gray; the thinner lines that show as purple should be olive and the other lines should be gray (this is also the case in Engberg & Banach and Belknap). There were also 25 artist's proofs numbered I-XXV and 5 impressions on Mylar. Printed at Erker-Presse, St. Gallen, with their blindstamp lower left. A very good impression of this very large print. Image size: 876x635mm. Price: Please call or email for current pricing information.

Chair (Engberg & Banach 108, Belknap 79) Original color lithograph, 1972, printed from three stones and one aluminum plate. 300 signed & numbered impressions as a subscription offering for the artists and citizens of Dusseldorf by the Kunstverein für die Rheinlande und Westfalen (ours is 221/300) on Rives BFK paper. There were also 25 artist's proofs numbered I-XXV and 5 impressions on Mylar. Printed at Erker-Presse, St. Gallen, with their blindstamp lower left. A very good impression of this very large print. Image size: 876x635mm. Price: Please call or email for current pricing information.

Mediterranean: State I: White (Engberg & Banach 178, Belknap 147). Original color screenprint, 1975. 26 signed and numbered impressions on whiteArches Cover mould-made paper plus eight signed and artist's proofs numbered in Roman numerals, of which ours is 16/26. Published by Tyler Graphics. A very good impression of this very large print. Image size: 876x635mm; paper size: 1182x800mm (or 46-1/2x31-1/2 inches). Price: Please call or email for current pricing information.

The work is printed on white paper, and despite the photograph (which was made through plexiglas in its frame, without flash in a darkened room, and without any direct lighting), it is all in one pure white.

Mediterranean: State II: Yellow (Engberg & Banach 179, Belknap 148). Original color screenprint, 1975. 26 signed and numbered impressions on whiteArches Cover mould-made paper plus eight signed and artist's proofs numbered in Roman numerals, of which ours is II/VIII. Published by Tyler Graphics and with their label on the back of the frame, this impressions was exhibited in at least one museum show (in Spain, with their label on the rear as well). A very good impression of this very large print. Image size: 876x635mm; paper size: 1182x800mm (or 46-1/2x31-1/2 inches). Price: Please call or email for current pricing information.

The work is printed on white paper, and despite the photograph (which was made through plexiglas in its frame, without flash in a darkened room, and without any direct lighting), it is all in one pure white.

Untitled (Belknap 165, Engberg & Banach 200). Original lithograph, 1976. 70 signed & numbered impressions, of which 50 were reserved for the Parisian art magizine, "Art Présent" plus 9 a.p.'s. Our impression is the bon-à-tirer proof, the model for the edition, and is annotated "ok RM / 10 Dec 76" lower right. A lovely example of the linear Motherwell: this is Motherwell at his most Matisse like. Image size: 477x641mm. Price: Please call or email for current pricing information.

The Dalton Print (Belknap 208, Engberg & Banach 239). Original lithograph, 1979. 150 signed & numbered impressions plus 20 artists proofs (ours is 86/150). Printed at Tyler Graphics, with their chop mark lower right. A very good impression of this large and very painterly print done as a fund-raiser for Motherwell's daughter's school (as a child Helen Frankenthaler also went to the Dalton School). Printed on tan Rives BFK mould-made paper. Image size: 660x508mm. Price: Please call or email for current pricing information.

Untitled (Engberg & Banach 282, Belknap 249). Original color lithograph, 1981. Edition: 150 signed & numbered impressions (of which ours is 57/150) plus 25 artist's proofs numbered I-XXV on white Arches cover mould-made paper printed by Tyler Graphics and published by the Lakeside Group for the 1981 Chicago International Art Exposition. This work was reproduced in a commercial edition of 2000 on Dove paper as a poster on larger paper with printed text for the 1981 Chicago International Art Exposition. A very good impression of this large print. Image size: 864x635mm. Price: SOLD.

Vivo: Sepia (Belknap 334, Engberg & Banach 365). Original color lithograph, 1986. 13 signed and numbered impressions plus 3 signed artist's proofs numbered in roman numerals. Our impression is n. 5/13. Published by Motherwell and distributed by Tyler Graphics. Printed on white Yoshibi handmade paper. The print is a kind of homage to Antoni Tapies. A very rare and very large lithograph printed by Motherwell at his own studio. Image size: 889x1105mm (35x43-1/2 inches). Price: Please call or email for current pricing information.

Spaightwood Galleries, Inc.

To purchase, call us at 1-800-809-3343 (1-508-529-2511 in Upton MA & vicinity) or send an email to spaightwood@gmail.com. We accept AmericanExpress, DiscoverCard, MasterCard, and Visa.
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